Monthly Archives: October 2016

Assignment 4: Real Or Fake (DPP)

Produce a photographic image to illustrate an imaginary book or magazine cover. Covers are sales vehicles for their contents, and so are often quite widely interpreted by art directors, illustrators and photographers. The moral ground is therefore potentially ambiguous.

At first the assignment appeared to be fairly straightforward, and I had an idea of the direction I wanted to go in from the start. I wanted to illustrate an image that was loosely based around a theme of ‘Gangs Of New York’ It is not designed to be a book cover illustrating the 2002 film of the same title directed by Martin Scorsese.

I read an interesting article on the rise of girl gangs in The New York Post  – http://nypost.com/2011/12/04/rise-of-the-girl-gangs/)

It was evident almost straight away that with this being such an open assignment revolving around interpretation and illustration that the possibilities for different designs were almost endless. I had a rough vision of what I wanted to create, and assumed I could replicate it fairly quickly. With so many versions available I quickly became overwhelmed with the amount of control and adaptions that I could create.

I wanted to push my self out of my comfort zone and actually took a self portrait (I much prefer being behind the camera) this in itself was no easy task. I wanted a side profile image which meant I wasn’t looking at the camera. For this to be achievable I set up my tripod and used a stand in model so I could set my focus. I then marked the models position with an ‘X’ and reached for my remote shutter. Once my camera settings were ready I posed in several different positions and snapped away. I wanted the ‘person’ in the image to be wearing a dark hooded top –  as hooded tops are synonymous with crime and unsavoury individuals. I wanted the facial features to stand out and be bold, so I positioned the hood further back from my face. I upped the contrast on the face and brightened it as I wanted it to appear light and innocent-like; a technique that could help to represent someone who has found themselves being swept away in a culture that they aren’t from, or is somewhat vulnerable. The face is positioned looking up towards the sky as a way of demonstrating anguish and perhaps fear or uncertainty. The image of someone looking up to the sky can be interpreted as looking up to God, or faith, or the powers that be for help. Or perhaps she’s actually looking at something. This is something for the viewer to interpret.

The next stage was sifting through my images to filter out the strong images from the weak. I went through my workflow process as usual until I had found the image I wanted to use. I then made some minor tweaks/corrections to the self portrait. I decided to convert the raw image to black and white, and sharpened the eyes slightly. I also added noise as I did not want a crisp sharp image, but more of a grainy grungy feel.

The next step was to find 2 other images for my book cover. I chose one of New York’s skyline, and one of street signs taken on the famous Fifth Avenue. The effect I wanted to produce was an art like fade of multiple images – almost in an overlapping collage kind of way.

I’d visited several book shops before hand to study examples and found that while magazine covers tend to include multiple images, stories and sub stories, book covers tend to be much more simplified. They are eye catching, intriguing and simple. With this in mind I was very aware to not over crowd my image. I had decided to mainly go for very strong contrasting black and white shots, enhancing the feeling of isolation and removing any kind of aesthetic ‘warmth’.

Here’s several examples of the kind of styles I was concidering, and book covers that especially caught my eye:

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As you can see, all of the above examples are simple, and fairly understated in that they are not crammed full of detail. Several of them include a double exposure effect and have a stark white background. I like the use of the side portrait silhouettes also.

I converted the skyline image to black and white, and replaced the cloudy sky with a stark plain white sky. This removed any distracting detail from the sky.

I added film grain and a slight blur to the sign post image to enhance the ‘grungy’ feeling. I wanted to capture the ‘rough’ image of New York – and by using bold black and whites I feel this is achievable.

I then had to use multiple layering techniques in photoshop to produce the final image. I put the skyline image in the hoodie itself, and then layered that over the sign post image. I didn’t want to fill the whole frame so I removed certain parts of the sign post image to create an arty aspect. I wanted the girls eye-line to be pointing in the direction of the ‘one way’ sign as a way of symbolising a sense of direction, perhaps bad. Using blending techniques I was able to select certain areas I wanted to expose, and areas I wanted to hide. I also added a slight scratch effect to magnify the edgy/grunge feel.

I decided to add a pink hue to the image. I wanted the overall image to feel somewhat cold, but having just black and white was far too clinical. I added pink to the back of the hoodie for several reasons. Firstly, to make it more eye catching. It’s subtle, but the presence of colour makes it much more interesting. Secondly, as pink is universally associated with females I thought it would help to imply that it’s a girl gang. Thirdly, I think it helps hold the shape of the hoodie outline.

My aim was to create an illustration or a piece of art, rather than a manipulated photograph. I wanted to remove all likeness of the original photos in their raw state and use them to create a end product that did not look like a ‘photograph’. By manipulating each image almost to beyond recognition (to the originals) I feel it maintains a standard of ethicality. Doctoring photographs is a general ‘no’ in the world of photography, but by pushing the limits to the extreme it ventures into the world of art and illustration. None of the original photographs are still a valid visual representative of their subjects, apart from the self portrait, where the face is clearly still visible.

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The more you look at the image, the more details you can see. One of my favourite parts is the traffic lights on the edge of the hoodie by the tip of the Empire State building. I also like the very discreet second ‘5th Ave’ sign hidden behind the eye.          I wanted the face and facial features to be soft and ghostly, perhaps even angelic.

It could have been very easy to get carried away with this assignment, as it’s such an open ended objective, but I’m extremely happy with the outcome of my work. There’s enough detail to make it interesting, yet not overpowering. Taking the photographs was the easiest part. The blending and layering technical side was very intricate. It just goes to show what you can do with software manipulation.

Here’s the three images I used:

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5th Ave

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Assessment criteria

As part of the assignment, I am required to assess my progress against a set of criteria points.

Demonstration of Technical and Visual Skills materials, techniques, observational skills, visual awareness, design and compositional skills

My technical skills were paramount to this module. Thankfully I already had an understanding of post-processing and was familiar with software such as photoshop. I felt fairly confident from the start of this module. While I used 2 images from my archive, the self portrait pushed my technical skills and revolved around precision positioning and focusing. It was not as simple as ‘point and shoot’.  While I’ve researched fellow photographers and styles I admire I’ve tried to create my own style with this assignment, rather than perhaps loosely re-creating a style I’ve seen. I feel much more confident in both my photography and my editing skills.

I find it almost second nature now to have a vision of the end product before i’ve even began shooting, and therefore follow my workflow better and produce an image I’ve pictured mentally and worked towards achieving, rather than ending up with something that started off as I had visualised, but stumbled across problems or setbacks and had to be tweaked/altered. My work is not so heavily based on improvisation.

Quality of Outcome content, application of knowledge, presentation of work in a coherent manner, discernment, conceptualisation of thoughts, communication of ideas

I’m gradually building up my learning log with work I admire, photographers my tutor has introduced me to, and techniques I’m trying out. The most recent being the long exposure shots using a sheet of welding glass. I could do with putting more of my personal photography on perhaps, which is always developing my skills and creativity. I think my blog is easy to navigate, and set out in a clear simple manner.

Demonstration of Creativity imagination, experimentation, invention, development of personal voice

I think my imagination and creativity have really shone through on this assignment. With such an open ended brief it has meant we can produce almost anything we like. There’s no context to follow – it doesn’t have to be black and white, or a landscape shot, or a portrait etc. I’ve experimented with taking a self portrait which i’ve not really done before and I feel like my creative style is really apparent in the final image. In previous assignments I have sometimes gone for a very literal approach in tackling my brief, and have held back on my creativity, but I think this module has helped to build confidence in this area.

Context reflection, research, critical thinking (learning log)

Particularly in this module I’ve studied the history of photography, and studied older photographs and genres (looking at image manipulation throughout the history of photography). I’ve bought several books to get started on (again on my tutors advice) and am not just studying modern contemporary photography which seems to be what i’m naturally drawn to (street photography, striking landscapes etc). Sometimes I doubt my intuition and feel like I need several interesting factors in my image to make it stand out (for example, light trails on a busy street, lots of movement, colour etc), when some of the most thought evoking and impacting photographs are very simplistic. (Vivian Meyer’s shot of a man reading his book which I wrote about in a previous post is a great example of this.)

I do think I still need to play around more with interesting angles, even if this does mean lying down in the middle of the pavement on Oxford Street!

 

Nick Turpin

My tutor also introduced me to the work of Nick Turpin:

http://nickturpin.com/portfolio/street-photography/

Nick’s style is very different to Valerie Jardin’s (previous post) as he mainly shoots in colour. The key thing i’ve noticed and admire about Nick’s work is that it’s all about positioning and timing.

He sums up my views/struggles of street photography fantastically ; “Making something out of nothing with a small camera and standard lens in a public place is the hardest challenge in photography

Many of his images have an element of forced perspective through his perfected timing and positioning of his shots. For example – the ‘can fountain’ image below:

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Nick’s attention to detail and timing is truly inspiring – the above image would be so much weaker if the fountain was offset from the can in the foreground. In this instance it really is about precision timing.

He also seems to take a subject or meaning, and adds a literal/physical aspect to it, as exampled below:

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He shoots polar opposites as seen below with ‘men at work’ I especially like how the 2 sets of men are walking in different directions – this adds to the impact of the contrast. (I also love the fact that the 2 builders have hard hats on and the 2 suited men are both bald…this adds a feel of consistency and symmetry)

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Being armed and ready at all times for that split second opportune moment must be difficult, but Nick never fails to produce interesting thought provoking images, like the one below of a passer by unknowingly mimicking the pose of the model on the side of the bus:

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It really does go to show that with a bit of creativity, patience and effort – the general public can pose as subjects for some really great images.

Valerie Jardin

I was unaware of Valerie Jardin’s work until my tutor pointed me in the direction of her website:

http://valeriejardinphotography.com/2wl3j0hihjcwwyj90o690pxj46umdv

Valerie is renowned for her street photography, which seems to have taken her all over the world. What I really admire about her work is that it comes across as so effortless. She shoots predominantly in black and white which instantly adds an air of old fashioned glamour. Her shots have great clarity, with no noise, making them appear silky and smooth.

I love that she seems to shoot everyday objects and events – there’s a specific shot of a man with a cigarette in his hand, writing in a cafe while there’s an out of focus coffee cup in the shot – depth is added by focussing beyond the cup, while the cup itself adds an aesthetic element:

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There’s also a shot of a man reading his book on a bench. Nowadays people think they need to add some sort of action or interesting subject for a photograph to be interesting and current, but Valerie has proved that this isn’t so. Simplicity, done right, can be as impacting as a bustling crowded street scene. The photo uses the rule of thirds, and has strong lines. The contrast between the white pages of the book and the bench against his black garments really make it stand out.

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One of my favourite shots is of a group of nun’s photographing a building on their mobile phones – what a gorgeous concept. It incorporates both old and new – old being the traditional attire and ancient history of their religious beliefs, and new being the up to date technology in which they capture and record their memories.

I had a similar experience when travelling around Asia. While in Thailand I saw a Buddhist Monk carrying a laptop – I was briefly baffled by the contrasting visuals; the traditional robes and barefoot appearance of the monk juxtaposed by the swanky apple laptop under his arm.

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